A limited release documentary on the 2017 Wat Dhammakaya siege is long-form journalism and a lyrical inspection of the conflict
published : 6 Apr 2021 at 04:00
A scene from Ehipassiko, or Come And See. Come and See
In an ordinary democracy, a film like Ehipassiko (in English, Come And See) shouldn’t have had the least bit of worry about the possibility of being banned. The subject itself initially provoked the censors’ impulse: this is a finely-tuned, patiently observed documentary about the controversial Wat Dhammakaya and the dramatic 2017 siege of the temple.
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